Yesterday, as a birthday present for mi boy, we went to an intimate
concert from Benjamin Clementine at the MC Theater in
Amsterdam. This singer and songwriter from London has spent a number of years
homeless in Paris, the city where he wrote his first song called Cornerstone and where he
got popular in the music scene. Its performance with the song on the BBC television show Later With Jools Holland in
2013 was amazing, or even more than that, and made me decide to buy tickets for
his show.
After waiting for a few minutes he
appeared in a long coat, without buttons, which he uneasily hold during the
entire show. I was wondering if he was maybe hiding a glamorous outfit
underneath, but the question remained unanswered.
The stage was occupied by
a black piano, a microphone and one spot on Clementine, no more was needed. The
spotlight, which couldn’t reach his eyes, made him look like a ghostly shadow
and highlighted his characteristic cheekbones. His appearance makes him one of
a kind (little ears, big head with tall hair, tight body and great piano hands),
just like his performance: his pervasive voice which goes from opera high to very bass low gave me goose bumps many times. He has a great timing and
both fast and slow melodies easily overflow each other. In some songs these
characteristics came perfectly together.
The powerful and loud singing
voice contrasts the soft and staccato tone when he speaks, which I noticed when
he tried to have contact with us (the audience). And although he shows his
sense of British humor, he is not into pleasing his public and therefore not
afraid to point out that he ‘hate[s] it
when people are whispering’ during his performance.
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